1994 : Brighton & Hove Arts Council’s Full-Length Drama Competition
Adjudicator : Nicholas Young
Competitors : in order of appearance
1
September 14 – 17
Wick Theatre Company
The Rape of the Belt
By Benn W Leavey
Produced by Margaret Ockenden
2
October 12 – 15
Southwick Players
Lord Arthur Savile’s Crime
By Constance Cox
Produced by Benedicte Noakes
3
October 12 – 15
Breakthrough Theatre Company
Absent Friends
By Alan Ayckbourn
Produced by Sue Parkinson
4
October 14 – 15 & 20 – 22
Rottingdean Drama Society
The Accrington Pals
By Peter Whelan
Produced by – Ronald Taylor
5
October 20 – 22 & 26 – 29
Hurstpierpoint Players
How The Other Half Loves
By Alan Ayckbourn
Produced by Annette Squire
6
October 22 – 23 & 25 – 29
New Venture Theatre Company
The Best of Friends
By Hugh Whitemore
Produced by Dennis Evans assisted by Tony Loveless
7
October 27 – 29
Hassocks Theatre Guild
Oh What a Lovely War
By Charles Chilton
Produced by – unknown
8
November 17 – 19
Saltdean Drama Group
The Late Edwina Black
By William Dinner & William Morum
Produced by Jackie Warren
9
November 24 – 26
Sackville Players
Habeas Corpus
By Alan Bennett
Produced by Gill Lake
1994 : Brighton & Hove Arts Council’s Drama Awards Evening
When : December 12 1994
Where : Hove Norton Road Town Hall Banqueting Room
Bea Waters Challenge Cup for Best Overall Production
The Rottingdean Players
The Accrington Pals
The Arthur Churchill Award For Excellence – runners-up
New Venture Theatre
The Best of Friends
The Gabbus Denney Award for Best Director
Margaret Ockenden
Wick Theatre Company
The Rape of the Belt
Best Stage Setting
Southwick Players
Lord Arthur Savile’s Crime
Adjudicator’s Award
Hassocks Theatre Guild
Oh What a Lovely War
for ‘bravery in action’ in choosing and performing the difficult play
Merit Award
Hassocks Theatre Guild
Oh What a Lovely War
for their interesting sound and technical effects
Merit Award
Graham Stapley
The Rottingdean Players
for a powerful, sympathetic, yet sinister role as CSM Rivers
Merit Award
Samir Rahim
Wick Theatre Company
for his intuitve, creative comedy talent, giving the best comedy performance as Theseus
Merit Award
Katie Squire
Hurstpierpoint Players
adjudged as the Best Actress for a brilliant, sensitive and constructive creation of the role as Mary Featherstone
Merit Award
John Prideaux
Breakththrough Theatre
adjudged to be the Best Actor for his in depth range of character interpretation of Colin
Review #1:
Publication: Words & Music
Publication Data: January 1995
Correspondent: Shirley Stanwell
Text: Content
O, for the old days of Deus ex machina! This classical tale required Zeus [Deek Fraser] and Hera [Rosemary Brown] to sit throughout, on either side of the proscenium arch, displaying concentration and an ability not to distract the focus of the scene on stage. The two managed this task marvellously, even when interference from the harbour came over the amplification system! Their interlude dance while the set was changed was a little over-long and uneasy, but their constant disagreemenst provided fun with ironic, modern, domestic parallels.
Ideally cast were the hunk, Hercules [Matthew Bartlett] and the weakling, Theseus [Samir Rahim], a double act seeking to achieve the jewelled belt owned by the Amazon queen, Antiape [Claire Wiggins] and her royal sister, Diasta [Jo Chalk], who lacked the stature, but made up for it with amusing exchanges. The vision of Diasta dressed in armour, under the influence of Hera, made a delightful contrast to the earlier, languid version. Daphne Thornton as the comic blacksmith turned sergeant major, Hippobomene certainly had the weight and strength required, if not the height.
Slow cues were occasionally in evidence, and though the play had been cut, it was still slightly overlong. The overall standard of acting and direction was excellent. The sunny settings provided an ideal background for this, a thirty year-old comedy, well worth reviving.
Review #2:
Publication: Wick Newsletter
Publication Data: January 1995
Editor: Charles Porter
Text Header: Rape Rewarded!
Text: Content
The Wick tradition of success in the Brighton and Hove Drama Competition was maintained at Hove Town Hall when Margaret Ockenden’s production of The Rape of the Belt came away with two awards. Margaret picked up a salver and certificate as Best Director and Samir Rahim was judged Best Comedy Performer by adjudicator Nick Young.
The Overall Best Production cup passed from Wick to The Rottingdean Players for their production of The Accrington Pals. New Venture were runners up with Best of Friends and the Southwick Players picked up Best Set for Lord Arthur Saville’s Crime.
Adjudicator Nick Young started by giving an amusing and informative talk, including many anecdotes about the theatre – both amateur and professional. He made a strong point about the value of not using a prompt and encouraged each group to pursue this policy with their next show. If Bob doesn’t take the plunge for Romeo, Samir has every intention of doing so for Outside Edge!
Each show was then commented upon, with Nick praising Margaret on her direction and picking out Samir Rahim, Matthew Bartlett, Claire Wiggins, Jane Porter and Derek Fraser as strong performers. He mentioned that the overall style of the show was good but slightly interrupted by the dance by Hera and Zeus which was used to cover a scene change.
Once again we came away with two awards and with Margaret Ockenden directing Les Liaisons Dangereuses for us next year, we have some strong material to work with to seek further success – and with any luck, get our Best Production cup back where it belongs – on a Wick mantlepiece.