wicktheatre > Archive > Performances > A Chorus of Disapproval

Box Office: 01273 597094       Tickets: Online

A Chorus of Disapproval

The Barn Theatre, Southwick Community Centre.

April 8, 9, 10 & 11, 1992.

A Chorus of Disapproval

by Alan Ayckbourn



Directed by
Bob Ryder


Phil Balding – Guy Jones

Vic Gough – Dafydd ap Llewellyn

Judith Atkinson – Hannah Llewellyn

Lynsey Collis – Bridget Bairnes

Patrick Johnson – Mr. Ames

Joan Braddock – Enid Washbrook

Jean Porter – Rebecca Huntley-Pine

Judith Berrill – Fay Hubbard

Charles Porter – Ian Hubbard

John Barham – Jarvis Hunttley-Pike

David Creedon – Ted Washbrook

Kevin Isaac – Crispin Usher

Jane Porter – Linda Washbrook


Production Crew

Assistant Director – Jamie Boath

Music Director & Coach – Patrick Johnson

Choreographer – Jane Porter

Stage Manager – Dave Collis

Assistant Stage Manager – Frances Thorne

Lighting & Sound – Jamie Boath

Lighting & Sound – Ralph Dawes

Wardrobe Co-ordinator – Margaret Faggetter

Props – Margaret Davy

Props – Sue Whittaker

Set Building – Brian Box

Set Building – Dave Collis

Set Building – Dave Comber

Set Building – Mike Davy

Set Building – Ralph Dawes

Set Building – Mark Flower

Continuity – Audrey Laye

Box Office – Jill Redman

Front of House Manager – Mark Flower

Publicity – Jamie Boat

Publicity – Anne Donkin

Publicity – Andrew Cregeen

Publicity – Jean Porter

Photography – George Laye

Musical arrangements from The Beggars Opera specially composed – Patrick Johnson


Programme Note #1: A Chorus of Disapproval

Programme note: “Alan Ayckbourn is the most prolific – and one of the most successful – English playwrights living. Since the 1960’s he has been turning out at least one new play every year. Most of them have been solid commercial successes. And their quality is world-famous. Ayckbourn is highly respected in the rest of Europe, where his plays are studied in schools and universities as major works of modern theatre. Sadly in this country there is a snobbish reluctance to treat Ayckbourn seriously. It’s strange, but not surprising. Because, although the British certainly enjoy their stage comedy, they somehow can’t quite accept it as ‘real theatre’.

Alan Ayckbourn challenges these barriers. His plays have profound things to say about people and their problems. But they are presented in the surrounding of pure comedy. We find ourselves laughing helplessly at characters who are fundamentally sad. We may feel guilty or cruel at laughing. But we recognise our own experiences – and we realise that laughter is the surest way to help us get on with the serious business of living our lives. This is the secret of Ayckbourn’s skill.

A Chorus of Disapproval, which had its London première in 1985, is the work of a craftsman at the height of his powers. It is put together with the consummate technique of a born playwright and a seasoned director and stage manager.

Ayckbourn uses two stage ‘devices’ to perfection. One is the parallel between the murky world of The Beggar’s Opera – the filthy morals of the thieves and sluts – and the (almost dubious) world of the members of the Pendon Amateur Light Operatic Society, who are putting the show on as their summer production. The other device is that we see these two worlds through the eyes of the innocent young newcomer, Guy Jones. We are shown a combination of the pretend world of the opera and the ‘real’ world of the opera company. The result is painfully true to life, but – above all – painfully funny.

Wick Theatre Company have, as you will see tonight, poured great dedication into this production. We believe that the talent and commitment of our members – both on the stage and in the backstage and general production support – are second to none. We have a wealth of experience: this is our 148th production and the Company has been performing for over 40 years. But at the same time we are always very keen to welcome new members, whether to assist in our productions or take part in our active social side.

If you are interested in joining us, or would like top become a patron, look out for the details overleaf. But first – judge us by the quality of tonight’s performance.”